by William Shakespeare
Directed byΒ Nathan Winkelstein
Scenic Design by Melissa Anderson
Costume Design by Sarah Marie Dixey
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
 πŸ“·: Reiko Yanagi
πŸ“·: Reiko Yanagi
Photoshop Renderings
Original Costume Renderings courtesy of Sarah Marie Dixey
"The sound design by Alan Waters, light design by Paul T. Kennedy, and set design by Melissa Anderson all work in harmony.Β  Especially for the aforementioned drowning of Ophelia, which is hauntingly realized."
Emily C. A. Snyder
Classical NYC
"Ophelia’s drowning (spoiler alert!), enhanced by terrific sound (designed by Alan Waters) and lighting effects (Paul T. Kennedy’s handiwork), is a staging highlight"
Mark Lord
Queens Chronicle

​​​​​​​
"Designers Melissa Anderson (Set), Paul T. Kennedy (Lighting), and Alan Waters (Sound) work together in perfect harmony to create a minimal and haunting sight-, sound-, and landscape against which the story unfolds, as ghostly whispers greet the audience, while a sleeping Hamlet lies spread eagle in a circle of light."
Zelda Knapp
A Work Unfinishing

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